Directors Michael Powell and Emeric Pressburger with David Farrar and Kathleen Byron
A kind of film noir with Expressionist overtones. The “small back room” was the laboratory and offices of free-range explosive experts during WWII. There was a lot to like about the film, but I was put off by what I saw as melodramatic stereotypes. Farrar played a scientist straight out of a long line of rude, over-bearing heroes stretching from Mr Rochester all the way to Barbara Cartland and Mills & Boon. His prosthetic foot was reason enough for his ill-humour and desire to drown his pain in whisky, but it was done with all the subtlety of a marker pen. Byron was no better, her character written as a long-suffering woman descended from one of the droopier Dickens’s females. Their scenes could have done with a lighter or less clichéd touch.
Some scenes, on the other hand, were great: the bomb defusion was gripping, lots of incidentals intrigued or amused, and the drinking nightmare was brilliantly weird. Home scenes were constantly foregrounded by Byron’s enlarged photo on one side and the bottle of whisky on the other.





























