To the Courtauld to look at the London street photographs of Roger Mayne from the 1950s. They were great in capturing the texture of life at that time, but it was that context that made them so engaging. I found his other photographs of family and Spain very dull – they lacked the charge of say, Chris Killip, or the compositional mastery of Vivian Maier.

There was also a small exhibition of works by Vanessa Bell, including designs for the Omega Workshop. She was also included in yesterday’s exhibition at the Tate; I still don’t “get” her any more than I do Paula Modersohn-Becker – the colours are too muddy and the shapes too blobby. But what do I know?

With the shift in mood caused by the arrival of summer, I was inspired to photograph little things to represent how that feels to me. Shadows, sunlight, blue sky – that kind of thing. What I would also like to include – but obviously can’t – are jumbles of tattoos on arms and legs now that skin is exposed. Some of them are a random collection of inkings, as if they’ve had one done after the other without regard to the overall effect. The effect is bit like an old haversack that you stitched badges onto each time you went somewhere new.